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	<title>Comments on: Why We Would Read Something</title>
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		<title>By: Henry</title>
		<link>http://hbenjaminpetrie.com/2009/09/26/why-we-would-read-something/comment-page-1/#comment-2534</link>
		<dc:creator>Henry</dc:creator>
		<pubDate>Wed, 07 Oct 2009 21:53:58 +0000</pubDate>
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		<description>Jena Isle: One Hundred Years of Solitude is a brilliant book, but I&#039;d say it doesn&#039;t quite make &#039;book 4&#039; elite status. I&#039;d say it&#039;s maybe an 8 on both writing and story. Also, too many characters with the same name.

Anne: To be honest, I&#039;ve never read any Stephen King, and wouldn&#039;t really know where to begin were I inclined to. I have, however, seen both The Shawshank Redemption and The Green Mile. I figure that the truly great books of this world come from authors who have written few others and have really poured their heart and soul into a few great works, but I suppose some people have more and better books in them than others. At a guess, I&#039;d say King probably does fit in with the third, but then I also suspect his works vary quite considerably in quality.

As for your question about writing for different age groups eliminating the fourth category, I don&#039;t think it would at all. There&#039;s an art to writing for younger people that many don&#039;t appreciate. It&#039;s not about &#039;dumbing down&#039; but about capturing the imagination. In this respect something like Eric Carle&#039;s The Very Hungry Caterpillar is, well, maybe not a &#039;masterpiece&#039;, but a very strong work. Similarly, Tove Janson&#039;s Moomintroll books are both well-written and tell interesting stories, but they use a different register and tone for the younger audience. Also, as I&#039;ve said before, something like The Odyssey is accessible to the point that a twelve-year-old could read and understand it. Now that&#039;s considered one of the greatest works of Western literature, so I think that writing for a younger audience should neither imply nor excuse a lesser standard.</description>
		<content:encoded><![CDATA[<p>Jena Isle: One Hundred Years of Solitude is a brilliant book, but I&#8217;d say it doesn&#8217;t quite make &#8216;book 4&#8242; elite status. I&#8217;d say it&#8217;s maybe an 8 on both writing and story. Also, too many characters with the same name.</p>
<p>Anne: To be honest, I&#8217;ve never read any Stephen King, and wouldn&#8217;t really know where to begin were I inclined to. I have, however, seen both The Shawshank Redemption and The Green Mile. I figure that the truly great books of this world come from authors who have written few others and have really poured their heart and soul into a few great works, but I suppose some people have more and better books in them than others. At a guess, I&#8217;d say King probably does fit in with the third, but then I also suspect his works vary quite considerably in quality.</p>
<p>As for your question about writing for different age groups eliminating the fourth category, I don&#8217;t think it would at all. There&#8217;s an art to writing for younger people that many don&#8217;t appreciate. It&#8217;s not about &#8216;dumbing down&#8217; but about capturing the imagination. In this respect something like Eric Carle&#8217;s The Very Hungry Caterpillar is, well, maybe not a &#8216;masterpiece&#8217;, but a very strong work. Similarly, Tove Janson&#8217;s Moomintroll books are both well-written and tell interesting stories, but they use a different register and tone for the younger audience. Also, as I&#8217;ve said before, something like The Odyssey is accessible to the point that a twelve-year-old could read and understand it. Now that&#8217;s considered one of the greatest works of Western literature, so I think that writing for a younger audience should neither imply nor excuse a lesser standard.</p>
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		<title>By: WOOF Contest for October 2, 2009 &#124; Zorlone - Filipino Poet and Writer</title>
		<link>http://hbenjaminpetrie.com/2009/09/26/why-we-would-read-something/comment-page-1/#comment-2532</link>
		<dc:creator>WOOF Contest for October 2, 2009 &#124; Zorlone - Filipino Poet and Writer</dc:creator>
		<pubDate>Tue, 06 Oct 2009 01:45:58 +0000</pubDate>
		<guid isPermaLink="false">http://hbenjaminpetrie.com/?p=854#comment-2532</guid>
		<description>[...] Benjamin Petrie – “Why We Would Read Something” &#8211; There&#8217;s two reasons we would read something: i) it&#8217;s well-written ii) it has [...]</description>
		<content:encoded><![CDATA[<p>[...] Benjamin Petrie – “Why We Would Read Something” &#8211; There&#8217;s two reasons we would read something: i) it&#8217;s well-written ii) it has [...]</p>
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		<title>By: Anne</title>
		<link>http://hbenjaminpetrie.com/2009/09/26/why-we-would-read-something/comment-page-1/#comment-2530</link>
		<dc:creator>Anne</dc:creator>
		<pubDate>Sat, 03 Oct 2009 02:11:27 +0000</pubDate>
		<guid isPermaLink="false">http://hbenjaminpetrie.com/?p=854#comment-2530</guid>
		<description>Where would you put Stephen King in this? Probably the third, although some his work [The Stand] is quite remarkable and intricate. Then there are the many genres in which one does write. Writing for a child or a young adult is different than writing for an older person. Would this eliminate the 4th category or would it just be considered a lesser standard due to the audience? 

One day I hope to write in a manner that is befitting of the 3rd category. And if given the choice of the 1st or 2nd categories, then I would definitely choose interesting over well-written.</description>
		<content:encoded><![CDATA[<p>Where would you put Stephen King in this? Probably the third, although some his work [The Stand] is quite remarkable and intricate. Then there are the many genres in which one does write. Writing for a child or a young adult is different than writing for an older person. Would this eliminate the 4th category or would it just be considered a lesser standard due to the audience? </p>
<p>One day I hope to write in a manner that is befitting of the 3rd category. And if given the choice of the 1st or 2nd categories, then I would definitely choose interesting over well-written.</p>
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		<title>By: Jena Isle</title>
		<link>http://hbenjaminpetrie.com/2009/09/26/why-we-would-read-something/comment-page-1/#comment-2528</link>
		<dc:creator>Jena Isle</dc:creator>
		<pubDate>Sat, 03 Oct 2009 01:02:39 +0000</pubDate>
		<guid isPermaLink="false">http://hbenjaminpetrie.com/?p=854#comment-2528</guid>
		<description>This is meaty, for book 4 I would say, &quot;One Hundred Years of Solitude&quot; by Gabriel Garcia Marquez.  It fulfills both.</description>
		<content:encoded><![CDATA[<p>This is meaty, for book 4 I would say, &#8220;One Hundred Years of Solitude&#8221; by Gabriel Garcia Marquez.  It fulfills both.</p>
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		<title>By: Joe Wyatt</title>
		<link>http://hbenjaminpetrie.com/2009/09/26/why-we-would-read-something/comment-page-1/#comment-2525</link>
		<dc:creator>Joe Wyatt</dc:creator>
		<pubDate>Sat, 26 Sep 2009 14:34:10 +0000</pubDate>
		<guid isPermaLink="false">http://hbenjaminpetrie.com/?p=854#comment-2525</guid>
		<description>Interesting stuff, Henry.

It reminded me about The Count of Monte Cristo, which Alexandre Dumas wrote following plotlines laid out by Auguste Maquet. Here we have a writer with a great story to tell but perhaps not the writing ability to tell it*, whose own work may have fit into your 2nd category, collaborating with a writer who would perhaps have fit into the 1st category and producing a book that would sit well in the 3rd category, if not the 4th (I&#039;ll wait til I&#039;ve finished the book before I start saying that, but I&#039;m loving it so far). 

Obviously I don&#039;t know for sure what kind of work they&#039;d have produced on their own because Dumas always used a ghostwriter for his books, and I haven&#039;t been able to find any work by Maquet that hasn&#039;t either disappeared into obscurity, never been translated into english, or both. Still, the fact that they were most successful while working together says quite a bit.</description>
		<content:encoded><![CDATA[<p>Interesting stuff, Henry.</p>
<p>It reminded me about The Count of Monte Cristo, which Alexandre Dumas wrote following plotlines laid out by Auguste Maquet. Here we have a writer with a great story to tell but perhaps not the writing ability to tell it*, whose own work may have fit into your 2nd category, collaborating with a writer who would perhaps have fit into the 1st category and producing a book that would sit well in the 3rd category, if not the 4th (I&#8217;ll wait til I&#8217;ve finished the book before I start saying that, but I&#8217;m loving it so far). </p>
<p>Obviously I don&#8217;t know for sure what kind of work they&#8217;d have produced on their own because Dumas always used a ghostwriter for his books, and I haven&#8217;t been able to find any work by Maquet that hasn&#8217;t either disappeared into obscurity, never been translated into english, or both. Still, the fact that they were most successful while working together says quite a bit.</p>
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