There was a point about halfway through The Girl Who Leapt Through Time where I thought it could rival the works of Makoto Shinkai, who I obviously respect a lot as a writer, where because of her actions, because of her emotional immaturity and inability to face her close friend when he tries to ask her out, Makoto, the eponymous protagonist inadvertently pushes him away, into the arms of her friend, at which point she realises she did actually want to be with him. Of course, since the film’s premise concerns a girl leaping through time, the ability which allowed her to sidestep his advances in the first place, equally allows her to fix her mistakes, otherwise the story might have expanded on the repercussions that avoiding difficult situations can have on the people around you.

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